Open Positions, Dates, and Repertoire

Violin - Associate Principal Second, Section 1st and 2nd - Friday, September 10, 4pm - 7:pm
Viola - Principal and Section - Friday, September 10, 7pm - 10pm
Trumpet - Principal and Third Trumpet - Wednesday, September 8, 4pm - 8pm
Trombone - Principal Trombone - Thursday, September 9, 7pm - 10pm
Horn - 4th Horn - Thursday, September 23, 6pm - 10pm
- Dates subject to change

Violin: all first violin parts unless noted

First movement of one of the following concertos:
- Mozart No. 4 or No. 5
- Brahms
- Sibelius
- Tchaikovsky
- Prokofiev No. 2
- Saint Saëns No. 3
Brahms – Symphony No. 4
- 1st mvt. [m.1-53]
- 2nd mvt. [m.30-50]
- 3rd mvt. [m.1-63]
- 4th mvt. [m.33-81]
Mendelssohn – Midsummer Night’s Dream, Scherzo
Mozart – Symphony No. 39
- 2nd mvt. [m.1-38, 44-54, 96-108]
- 4th mvt. [beginning to the double bar]
Schumann – Symphony No. 2
- Scherzo [end at Trio 1]
Strauss – Don Juan [first page]
Possible sight-reading

The first movement of a standard concerto of your choice.
Brahms – Symphony No. 2
- 1st Mvt. [4 before E to 14 after E]
- 2nd Mvt. “C” to downbeat of 7th bar
- 4th Mvt beginning (allegro con spirito) to “A”
Beethoven Symphony No. 5
- 2nd Mvt. m.1-10; m.49-59; m.98-106
Mendelssohn – Midsummer Night’s Dream, Scherzo
Mozart – Overture to Marriage of Figaro
- beginning to Rehearsal 'B'
Mozart Symphony No. 35
- Mvt. 4
Strauss – Don Juan
- beginning to D
Berlioz -- Roman Carnival Overture
- m. 36-67 [after #1, pick-up to change of key to downbeat of #3]
Bartok -- Concerto for Orchestra
- 4th mvt. [m.40 - m.60]
- 5th mvt. [m.300 thru m.317 top line]
Shostakovich -- Symphony No. 5
- 1st mvt. [15 to 6 after 16]; [22 to 5 after 24]; [32 to 4 after 36]
Possible sight-reading

Haydn Concerto
- 1st mvt.
Bartok - Concerto for Orchestra
- Mvt. 1, 1 measure before #359 to 4 measures after #386
- Mvt. 5, #211 through #244
Beethoven - Leonora Overtures 2 and 3
- Fanfares
Bizet - Carmen
- Prelude (low solo)
Garland/Razaf, arr. Miller - In the Mood
- pickups to #53 to 371 and #121 to end
Gershwin - An American in Paris
- solo at rehearsal #57, straight and swung
Handel - Messiah
- The Trumpets Shall Sound, beginning to Rehearsal A
Mahler - Symphony No. 5
- Mvt. 1, opening to 8 measures before #2
Moussorgsky/Ravel - Pictures at an Exhibition
- Promenade: beginning to #2
- Samuel Goldenburg und Schmuyle: Andante #58 to #62
Resphighi - Pines of Rome
- Mvt.1, 11 measures after #2 to 8 measures before #3
- Mvt. 2, offstage solo
Stravinsky - Petrushka
- Ballerina’s Dance
Possible sight-reading

1st mvt of any Mozart or R. Strauss horn concerto
Beethoven – Fidelio, 2nd Horn
- first 55 measures, and measures 136 - 152
Beethoven – Symphony No. 3, 2nd Horn
- 3rd Mvt, 24 measures after B to 35 measures into the Trio
Beethoven – Symphony No. 7, 2nd Horn
- 1st Mvt: opening through second bar of C, and two bars before N to the end of the movement
Beethoven – Symphony No. 8, 2nd Horn
- 3rd Mvt, Measures 36 – 78
Beethoven – Symphony No. 9
- 2nd mvt. 4th horn solo, 5 before F through the first measure of H
- 3rd movement, pickup into the “Adagio” up to letter A - 4th horn
Dvorak – Symphony No. 5, 4th Horn
- 4th mvt, 12 measures after 4 to four measures before 5
Mahler – Symphony No, 1, 4th Horn
- 3rd movement, 2 measures after #4 to one measure after #5, and 4 measures after #13 to #15
Mahler – Symphony No. 3, 4th Horn
- 1st movement, opening to #2, and #32-#33
- 3rd movement, #23 to two measures after #26
Shostakovich – Symphony No. 5
- 1st mvt, tutti low horn solo starting at two after #17
Strauss – Don Juan, 4th Horn
- 22 measures after K through 2 measures before L
- 17 measures before O to P
Stravinsky – Firebird, low horn
- Eternal Dance, Beginning to 1 measure before C
Tchaikovsky – Symphony No. 4, 4th Horn
- 1st mvt, opening to measure 21
Wagner – Lohengrin, 4th Horn
- intro to Act 3, opening to one measure before C
Weber – Der Freischutz, 4th Horn
- Overture, Measure 10 through measure 25
Possible sight-reading